• 6 Posts
  • 134 Comments
Joined 2 years ago
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Cake day: November 25th, 2023

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  • My recommendation would be to find a local instance - one that’s closest to you - and sign up for that. I’m not in Atlanta, but I am in Georgia, so I signed up for the yall.theatl.social instance (the server is in Atlanta), and I couldn’t be happier. It’s a smaller instance, but I converse regularly with the admins when I have a question or a problem, and they are accessible and always open to suggestions.

    I like it so much that I also use the theatl.social Mastodon instance as my main Mastodon as well. I throw them a few bucks every month to help with costs, and I’m happy to do it.

    I would agree with those who say smaller instances are the way to go.








    1. Found this through a Google search: Piefed has a few nice features that Lemmy and Mbin lack:
    • instance blocking
    • comments combination, posts only appear once
    • keyword filter
    • topics (admin-managed feeds)
    • user-managed feeds, public and private
    • tags
    • flairs
    • multi communities
    1. Yes & yes. They’re built on ActivityPub and interact with each other, though the things that PieFed offers that Lemmy doesn’t (like tags) aren’t visible from Lemmy. And Lemmy can subscribe and interact with posts from PieFed.

    2. Yes. There is a way to export all your details through the Lemmy settings and import through PieFed settings, and vice versa.

    3. App support is sparse at the moment, but the Interstellar app (https://interstellar.jwr.one/) for Android works with PieFed.

    4. Can’t think of anything.









  • If you’re not prepared to make a sacrifice, that’s OK, but at least have the honesty to admit you just don’t care enough about this particular issue.

    My point was, if I make the sacrifice and don’t go, somebody else will buy the ticket. So it’s not that I don’t care enough, it’s that it won’t make a difference. There simply cannot be enough of a boycott from the general public to make any difference to Ticketmaster’s bottom line. Only government intervention and anti-monopoly enforcement will, and that isn’t going to happen either with politicians in Ticketmaster’s pocket.

    In the end I’m missing out on something that could be my last ever opportunity (in the case of the Micky Dolenz concert I discussed earlier), while not losing Ticketmaster a dime.


  • My best interviews were the two where I was calm, relaxed, and myself. And I was offered the job each time.

    Granted these interviews were for a better job than the one I had, but, at the time, I had a pretty good job and didn’t technically need the one I was interviewing for. That allowed me to be more relaxed, I made a few well-placed jokes, and was just myself, which is ultimately who you want them to hire anyway - the person you really are, not some stuffed shirt, stiff version of you.




  • Alright now, let’s not get into an argument about The Monkees. In 1967, they outsold both The Beatles and The Rolling Stones, so they’re not nobodies. And just to clear up a few fallacies, Mike was an accomplished guitarist and bassist, Peter could play banjo, bass, and keyboards, and Davy was a drummer. (They didn’t want to put Davy behind the drums because he was short, and they were afraid he wouldn’t be seen.) They were not allowed to play their instruments or even have any input on the songs they recorded on the first two albums by Don Kirshner, the person hired by Colgems as music supervisor for the TV show. It was their 3rd album (not 4th) that they were finally able to get control. The resulting album - Headquarters - Rolling Stone magazine called one of the 500 you should hear before you die. They went on to make six more albums up to 1970 where they had complete control over the songs and played on them. They even had a top 20 album in 2016 on their 50th anniversary called Good Times, with all four members contributing (a previously recorded vocal track by Davy, who was deceased at the time, was digitally cleaned up and put over new music).

    Yes, they were the Prefab Four, but Micky likes to use the metaphor that Pinocchio became a real boy. They were put together to act like a band, but they actually became a real band.