The company is Access Industries and the Founder and Owner is Leonard Blavatnik
Along with what’s in the title, he is accused of reputation laundering against Ukraine and has been personally sanctioned by Volodymyr Zelenskyy. He was also part of a WhatsApp group involving some of the United States’ most powerful business leaders with the stated goals of “changing the narrative” in favour of Israel and “helping win the war” against Gaza.
Everything is in the linked Wikipedia article about him, mostly under the “Controversies and disputes” part.
I switched to Deezer after seeing it recommended as a better Spotify alternative here on Lemmy, but after finding all this I immediately stopped using it. It’s as bad as the shit Spotify does and has done IMO. I’m not here to recommend or push an alternative, but if I can give info on what I use now if someone asks.
None of the online music streamers are ethical. Every single one, to varying degrees, robs the artists and enriches their CEO’s and shareholders.
Do the ethical thing.
Don’t use them, and instead, use a Youtube-to-MP3 converter and steal the music.
Guess how much money the artists get when you do that?
I’ve already addressed this. They don’t get fractions of fractions of a penny.
We know this because Weird Al used his year-end video to make the world aware that, in return for his tens of millions of streams, he got around $80.00 from Spotify for a whole year.
The artists aren’t losing anything meaningful when rip songs off Youtube, but the CEO is for sure, at least he would if we all did this.
How does that work? 10 million Spotify streams should pay more than $20k in royalties.
I dunno, Qobuz seems pretty fucking solid, and still allows for purchasing your music directly in FLAC and other formats. What drama is there about them?
Bandcamp is pretty good, though. Especially on Bandcamp Fridays where all the profits go to the artists. Plus, I like getting FLACs.
Problem with Bandcamp is they got bought out, first by Epic Games and then by Songtradr, and each time it’s gone through enshittification. Bandcamp Fridays used to be a weekly thing but got changed to quarterly with little announcement, and then half their staff got laid off to pad the bottom line. Even with all that they’re better than the alternatives, but they’re still on a decaying trajectory.
And included in half the staff was every member of their union bargaining committee. The workers got done dirty when that sale to Songtradr happened. I’m not even sure if Songtradr has recognized the union yet. They had just won their election (overwhelmingly) and the sale happened right after that.
Yeah I agree with all of this. Shame there isn’t a better option at the moment, but they’re the lesser of a bunch of evils - so I guess I’m sticking with them for a bit longer.
Absolutely. At the end of the day the main point here is just don’t use the major streaming services.
Oh, my bad: I thought bandcamp was part of the major services. Shows what I know 😅
Are you under the impression that this will pay any artist anything?
It’s fine to take a pro-piracy stance, but pretending that you’re doing it out of concern for the artists is grade A-bullshit.
You’re right.
I should figure out a way to replace the income these artists get for my individual stream. It comes out to fractions upon fractions of a penny.
The point here is robbing the CEO. There’s no meaningful impact to the artist (unless you’re Taylor Swift) thanks to the way these services are structured.
I have some music on streaming services, and get a couple of coins every month. If you pirate my music instead, I’ll get nothing.
Set up a Patreon and offer exclusive music content to subscribers, sell directly to fans through Bandcamp. With good marketing and social media presence you would get several times what any streaming service will pay you ever. Even if most people are pirating your music. If you are being pirated, you are worth listening to, and that means that people are willing to pay you something. I tell this to all aspiring musicians, companies are not your friend, labels are not your buddies. The pirate is not your enemy, the megabillionaire monopolistic corp is. Many musicians owe their popularity because a music pirate put their stuff online and got them noticed.
Are you suggesting in the end here that music pirates are paying artists in exposure? Musicians really can’t catch a break SMH
Not at all, that’s a straw man attack and a complete misread of my comment. Acquire reading comprehension skills then come back if you can come up with a non bad-faith comment.
Go a step further and use something like Deemix to grab FLAC files from their servers
Or Tidal-dl-ng for Tidal
This is the only reason to use Deezer.
That works too.
This past week I found DoubleDouble.top which has superior quality that YouTube converters IMHO.
https://us.doubledouble.top/
As a fan I kinda view the music business this way
That’s how I see it.
I saw a documentary one, and one artist said: back in the days, you made shows to sell your music (vinyl, later CDs), but now you make music to go on tour and make shows.